It’s been eight months since I posted the first of thirty blocks designed for an English Paper Piecing sampler quilt. Today I share the final four blocks in the set. I will begin assembling them into a quilt top, possibly resembling this rendering, in the next few weeks. Then the hand quilting will begin.
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In a world were the pressure for perfection is ever present, the quest for success can overwhelm us, thus causing our creative mojo to get lost somewhere along the journey. This is often the case when we are creating to meet the demand of others, but it can also be the case when we are creating for ourselves. The scale we use to measure success, sadly, is seldom one we create ourselves, thereby placing us at the risk of becoming overwhelmed when our efforts fall short of an unrealistic norm.
As creators, or makers to use another term commonly used in social media, we rely on our creative mojo to keep our inspiration flowing and our ideas vibrant. Our ability to keep creating often relies heavily on our feelings of accomplishment, and therefore how we determine success is instrumental in our ability to create.
In my video today, I ponder the notion of success and the question of whether my latest project is a success. I determine success is achieved when three criteria are met – functionality, structural-soundness, and joy. We are makers not machines. Variables in our creative efforts are part of what makes our product unique and desirable. When we hold onto this knowledge, we can better keep hold of our mojo even as we pursue success.
Every so often a crafter will undertake a project that makes them ask, “What was I thinking?” In this week’s video, I share three of these projects – one of which is my English Paper Piecing block.
This is a block worth making, but it is also one that required a determination to get it to work rather than an expectation of perfection. I’m pretty sure that I was doomed from the moment the pieces were cut. This block required clear labels from start to finish – a step I neglected to do. I’m pretty sure a piece or two was flipped or mislabeled. However, despite being doomed from the beginning, I made it work. True, there was some tweaking and fudging during the construction, but the end result will still work for my project. The final quilt’s sashing should help hide any visible imperfections.
With all that being said, I still love the look of this star block and am glad I pressed on with it despite the foreboding I felt when I realized how finicky its construction would be. For more details on where I went wrong and how I made it work, I recommend watching this week’s vlog. It contains three “What was I thinking” projects and a good deal of me laughing at how much these projects spice up my life.
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Star blocks are some of the most beloved designs in the patchwork quilt community. I’ve been drawn to them since my earliest days of patchwork. Foundation Paper Piecing and English Paper Piecing can bring precision and complexity to the process of getting sharply pointed stars. In the week’s to come, I will be sharing more stars, and even a compass. There will be a flower or two thrown in for good measure, but stars will dominate.
This week’s block is the seventeenth in my thirty block collection. Fittingly, for the season, it is known as the Bethlehem Star, named as such in 1938. It was also called the Star of the Magi in 1937.
In quilting, much like in life, the path we travel often lacks complexity; a routine can be followed that will keep us on course. Other times, we need help a map can offer. This week’s English Paper Piecing block, Morning Frost, reflects the complexity that has settled into my life this season. On the surface, it looks simple. Yet without the map guiding me, the subtle differences threatened to trip me up and make the task more difficult than necessary. Taking the time to make a map, or a set of steps to follow, preserved the easy and joy of the journey.
Also, be sure to check out this week’s podcast to hear more about the Christmas Tree Saga of 2023 and more.
A hexagon? A wagon wheel? A snow flake? A Christmas Wreath? Sometimes a simple shape can be the most confusing to name. This week’s English Paper Piecing block is an example of how the humble hexagon can be transformed simply by changing the fabric colors and placements.
One of the first things a quilter learns when researching or designing a patchwork block is that color makes all the difference. Sometimes, the placement of light and dark fabric will change the overall look, and even the name of the block can be different because of the choices. In this week’s block, designing with three high contrast, warm colors created a star that was reminiscent of a yearly wheat harvest. Changing the fabric choices to a Christmas theme created a different look all-together. Since I am working on a vintage fabric quilt, I chose fabrics with less contrast, but still high impact because of the cream background. Whatever you choose, this pinwheel star is perfect for any season or palette.
When I started my journey into English Paper Piecing just over three months ago, I never envisioned how much joy I would find in the process. While not my first slow-craft (the trendy way to call traditional crafting), it has been the most surprising. Yes, it is true, my aging eyes need excellent lighting to manage, and a needle threading tool is quite helpful, but the joy of creating with needle and thread is abundant.
Finding balance seems easier now that I have added an additional slow-craft to my life. Without the slower hand work of crafts like EPP, it is easy to feel everything in life needs to be high-speed production in order to have value. Life, yes even crafting life, can speed out of control until one unexpected obstacle or turn derails you. Recovery is then required before the journey can continue.
This week I share three EPP projects: one that took weeks to make, one that is a component of something bigger, and one that is full of holiday joy. Each brings with it the benefits of slow-crafting.
I often wonder if animals get as confused as we do when the weather doesn’t follow normal patterns. Based on a traditional Flying Geese pattern, this block takes a twist, with one column of geese flying in an opposite direction.
Confused Geese is a fairly straight forward block to piece. You construct each goose unit, apply sashing strips, and then borders. Much like the geese in my block, I was confused when I assembled it (as I discuss in my vlog this week), but the block worked out well despite my oops. I chuckled to think that the confusion the geese in the block were experiencing might have been contagious.
I hope you enjoy making this block as much as I did.
Pithy Ponderings 